News 2018

 

Forthcoming events

 

2019

February

 

Decreation Part 2 tour

University of Kent, Canterbury, UK

 

2018

 

The catalogue for the Odessa Biennial has just been published

 

Please see examples below

 

 

March

 

 

3rd March Din Dins sonic event organised by Seth Guy, East London, UK

 

8th – 15th March

 

Nomad air residency Oslo, Norway and Uddebo, Sweden

 

 

April

 

 

 

Poster for nGbk

 

View of presentation at nGbk in Berlin with our poster  “This Historical Moment” with concept and visualisations

 

May

I have material included in Steve Willats exhibition of Control Magazine, Tate Liverpool exchange

25th April – May 16th

 

 

Sunday 27th May 4 pm

 

“Being together is not enough”

 

5 Years Gallery, London, UK

 

 

 

Introduction to a long term project This Historical Moment

 

Within neoliberalism

Documentation will follow shortly and a transcript of the event will be available later in the year

 

New interview

 

Interviewed by Manuela Johanna Covini

 

To be published in September

 

Below is a rather crude and unedited reply to a series of questions that Manuela sent me that formed the basis for her film interview.

 

Interview 5.12 12pm

 

June

2nd June

 

 

I will show an excerpt from a 2014 slide show for the NGCA, Bucharest, Romania, re adapted for the new context and renamed as Global Currency

 

At sunset

Decreation tour

organised by 51zero

Outdoor Cinema

Artists

David Goldenberg, Dan Rees, Smadar Dreyfus, Sung Tieu, Bas Jan Ader, Nikita Kadan, Sarah Cameron, Derek Ogbourne, The Play, Semiconductor

Whitstable Biennial Off site project

The Old Neptune Pub

Marine Terrace

Whitstable

CT5  1EJ

 

August

 

August 3rd

Benetton Foundation

Imagomundi

Salone degli incanti, Trieste, Italy

 

 

Surplus Value 2018

 

 

4th August 2 pm

 

Tate Liverpool exchange project, Liverpool, UK + tour

Presentation

 

Introduction to Participating Cultures

 

Further information will follow shortly

 

 

 

e-meio-n3

 

My new interview is just about to be published in Meio 3, a Dutch Brazilian publication. It is basically a short autobiographical text that traces my interest in art since the age of 7 and allows me to clarify recent thinking and concepts.

 

 

Reviews of my work for the Odessa Biennial

 

 

 

 

Reviews of 51 zero Festival

 

 

51zero Festival of Moving Image and installation

Decreation

New coordinates

 

Rochester Cathedral, Guildhall Museum, Huguenot Museum, Kent University, Rochester, Kent

 

PV Rochester Cathedral Friday 27th October 7 – 9 pm

 

27th October – 2nd November 2017

 

Co-curated by David Goldenberg

 

View of work clustered into a series of 4 displays inside the Guildhall Museum

 

 

 

 

Programme notes for the Festival

decreation

 

With Bas Jan Ader, Acconci, Dan Rees, Nikita Kadan, Sung Tieu, Alia Syed, Derek Ogbourne, Maria Khierkhah, Smadar Dreyfus

 

Friday 27th Opening Rochester Cathedral, Sunday 29th October Opening of the Guildhall Museum with a day of discussions titled New Coordinates, Tuesday 31st October Talk around an installation, Wednesday 1st November Developing a new script, Thursday 2nd November Decreation and new coordinates and developing a new script for art.

 

 

 

 

 

 

 

Download Odessa Biennial digital Catalogue here

Museum-of-Odessa-Modern-Art-5

 

 

 

 

Photos of opening speeches

 

My contribution to the 5th Odessa Biennial fleshes out ideas first proposed for Distributing Obsolescence: Food bank, Art bank, Technology bank last year for Villa Capri, Italy, that sought to establish a set of coordinates to situate contemporary art.

The new project is structured through a series of negations, it is untitled and without a press release and the material is inserted into an existing installation across two rooms, using a found Russian press release juxtaposed with press releases I have amassed over the past few years which are changed each day. The work sought to develop a whole idea around change, which forces are stopping development and ideas for taking thinking and art forward.

The work sought to develop a whole idea around change, which forces are stopping development and ideas for taking thinking and art forward, reflected in the change of register in the material across the two rooms.

 

 

 

 

 

 

 

 

Below is just a trial area and will undergo considerable changes over the next few weeks. The files are low resolution, but if anyone wants copies of high-resolution material please email dged03@hotmail.com

 

Below are a series of publications to accompany the installation for Odessa and are intended to provide detailed background information on the new installation/visual essay. Booklet 3 is currently being designed and the 9th Booklet of recent texts will also be produced,  while the 4 books designed with Ioana Pioaru in 2012 that summarised the history and ideas behind Post Autonomy is also available again. Booklet 10 on the language of the body is under development and will be published soon

 

Publications to accompany the installation for the Odessa Biennial

 

Booklet 1

Booklet 2 New Historic Moment

Booklet 3 Catalogue  currently in the process of being designed

Booklet 4 Delivering obsolescence

Booklet 5 Free ports

Booklet 6 Selected Works, CV and Press

Booklet 7 Interviews

Booklet 8 Portfolio of images

 

 

Publications on Post Autonomy

 

mdocumenta

Topology of PA

short history of PA

text&scripts

 

 

5th Odessa Biennial of Contemporary Art – Turbulence. August 26th –  September 3oth, 2017

Curated by Mikhail Rashkovetsky and Semen Kantor, The Museum of Odessa Modern Art, Odessa, Ukraine

 

Including Dan Prejovschi, special section  to include Boris Mikhailov,  and a special section curated by Monika Szewczyk with Artur Zmijewski

Zanny Begg, Kristina Paustian, Renee Ridgway, Ghost of a Dream, Nikita Kadan & Yuri Leiderman, Martinka Bobrikova & Oscar de Carmen

 

 

Special Section

The “Delivering Obsolescence. Art Bank, Data Bank, Food Bank” project

Curated by  Camilla Boemio, with Fabio Lattanzi Antinori and David Goldenberg

 

TURBULENCE AREA

 

The following information on the Biennial is the English translation of a text on the Biennial website

 

” The Odessa Biennial once again confronts artists with Global problems. That, according to many authoritative experts, is one of the signs of provincialism and marginality. However, in the era of fundamental crisis, and even more so – a crisis of fundamentals, the true outline of the future often encountered in the margins of canonic texts, at the boundaries, are melting in the fire of innovations.

Half a century later after “Future Shock” by Alvin Toffler outstanding sales manager discovered that we are shaped by turbulent flows of V.U.C.A, volatility, uncertainty, complexity and ambiguity.

If earlier turbulence in culture has been defined as a crisis or transition with their spatial-temporal boundaries, now the state of turbulence claims to be boundless. The ancient curse “May you live in an era of change” becomes meaningless as contemporary culture fails to reach a state of stability. Out put from turbulent area is considered a catastrophe that could end human existence as a whole.

Unity and opposition, private and the general enter into the most dangerous zone of risk. Radical design modeling is urgently needed as permanent change accelerates exponentially. One such means has been art. A daily challenge of art at all times has been working with universal relationships, including dynamic ones. Value’s of this function in turbulent zone trends to infinity. We are once again called to look into the essence of social problems from the specific and universal art optics. But we exist at a moment where audiences for contemporary art are isolated ( which is a generation of a postindustrial society) becomes unbearable. ” The Odessa Bienniale is curated by Mikhail Rashkovetsky and Semen Kantor

 

http://2017.odesa-biennale.org.ua/

 

 

Text and images from Distributing Obsolescence: Food Bank. Art Bank. Technology Bank show, background information for the new installation in the Odessa Biennial can be found in the following publication

https://view.joomag.com/startup-2/0225386001471983048?

   

 

 

Article by Camilla Boemio

 

 

 

Forthcoming events and projects in 2017/18

 

 

 

July 2018 Tate Liverpool, talks, workshops, performances

 

Early 2018 Vinyl Factory, organised by 1000 miles an hour, London, UK

 

Early 2018 Imago Mundi Highlights, Imago Mundi Museum, supported by the Benetton Foundation and Fabrica, Teviso, Italy. [Cata]

 

December a new interview is to be published by Meio, a Dutch Brazillian Journal

 

 

My text for Iris republished in Imagista

 

 

New text for Reflektor M

 

 

 

La Cuisine Allmonde, galeriedutableau. Marseille, France

 

 

October/November Medway Arts Festival, Rochester, UK

Festival

November 3rd Ghost Pavilion, organised by Reflektor M, Museum Villa Stuck, Munich, Germany

 

October Venice Biennial, Venice, Italy

 

Artists´ Books for Everything

An exhibition of the Centre for Artists´ Publications

Juni 3rd  – August 6th  2017

Centre for Artists´ Publications / Weserburg

Museum für Moderne Kunst
Teerhof 20
28199 Bremen

Germany

 

2017

 

6th December, What happens to us,  curated by Marsha Bradfield and Amy McDonnell, Welcome at the Same Table with CINZIA CREMONA. Wimbledon Space, Wimbledon School of art, London, UK.

 

23rd November I have work in Art-e-motion, presented by Marina Moreno, Palazzo Mora, Venice, Italy

 

Three new texts  2016/2017

January 2017 new version of “After the catastrophe” for the Catalogue of “Diane La Chasseresse” Iris Brosch, Published by Editions Rue de Temple

 

 

 

 

 

“After the catastrophe” Published by Normal Magazine

 

“Switch on and off (new version) ” Published by Pavilion Magazine

 

http://pavilionmagazine.org/david-goldenberg-switch-on-and-off/

 

 

pavillion text

 

 

 

 

Excerpt from my text on Participatory Practices written for Fillip Journal No 8 quoted by Fabiola Hanna 3.6.2017

 

 

                                                                                                                   

 

 

 

 

Pavilion homepage                                                 New book on Art after Autonomy  

 

TAKE-PART_10_2016

Text by Suzana Milevska “Infelicitous” Participatory Acts on the Neo Liberal stage, Participatory art’s promises and hopes for Democratization of Society, with reference to my Fillip 8 article and A short history of Post Autonomy

 

AND Journal 27 & 28

 

AND No 27

AND No 28

 

Texts from the early 1990’s on Microwaves and Frozen stills and Flexible Response

 

 

10th November Talk on recent work at The University of the Arts Canterbury

 

 

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