Hertfordshire University Curated by Janette Parris
21st – 25th Parallel Vienna, group show with Dadadada academy and the Open source gallery NY
Trond Arne Vangen
Art Riot Exhibition, Chelsea School of Art, London, UK
“Delivering Obsolescence: Art bank, Data bank, food bank” One person show at the Palace of Villa Caprile, Le Marche, Italy. Curated by Camilla Boemio and AAC Platform
July 2016, Group show, Kunst Altonale 18, Hamburg, Germany
Title: Stasis and Looping, 2016
A new work “A visual essay on the effectiveness of art against the background of a protest against austerity”
Delivering obsolescence. Art Bank, Data Bank, Food Bank – Installazione site-specific di David Goldenberg
Research Seminar: David Goldenberg
Event Date May 4, 2016 3:30 p.m. – 5 p.m.
Location – ATRiuM, Cinema (CA B205)
Assembling a platform to stage Participating Cultures
Chair: Inga Burrows (University of South Wales)
The term Participating Cultures originated in a lecture that I delivered for the 2010 Mongolian Land Art Biennial, as a critique of participatory practices and the Biennial form as a platform for staging art in a Global context. Then expanded and visualised in installations for the Venice Biennial and the Caspian Sea Biennial, and more recently in a text for the Pavilion Journal in 2014 where Participating Cultures is recognised as the second term in the formulation of the scheme of Post Autonomy.
In the new lecture I propose to provide a general introduction that covers the initial steps towards the conceptualisation and visualisation of Participating Cultures, beginning with how to translate the concepts into recognisable forms and language that makes the ideas understandable to a wider audience and contributors. And at the same time establish a platform to both discuss and stage a project examining Participating Cultures against a background of stasis and obsolescence and the current state of sociopolitical emergency, that forefronts the health and capacity for art and thinking to register this state of affairs? As a term it is intended to signal and trigger re-imagining starting again, leading to re-configuring the spatial global role of art. Yet before this possible any discussion of change, starting again, and reconfiguration is only possible through a general understanding of the space of art and cultural power.
David Goldenberg, (Hitchin, Hertfordshire, UK, 1956) is an important English conceptual artist. For years, his research has been concentrated on the Post Autonomy concept, which he has developed in a number of shows held at important international institutions, standouts amongst which are the recent (2012) The Scenarios of Post Autonomy, Glenda Cinquegrana: the Studio, Milan, Italy; Template – Mobile Documenta, Chisenhale Studios, London (2011), The Space of Post Autonomy, Arts Depot, Vienna (2011), Plausible Artworlds, Basekamp, Philadelphia (2010), Mobile Documenta, Fordham Gallery, Londra (2009), The Time of Post Autonomy is Now, Your space, Van Abbemuseum, Eindhoven, Holland (2009), The Space of Post Autonomy, Local Operations, Serpentine Gallery, London (2007).
Review of Condo by David Goldenberg
New text in collaboration with Maria Inez Plaza
New text on Participating Cultures for Reflector M
Here, There and Everywhere: Eurasian Cities
Project Director, Project Artist Kyong Park
JIHOI LEE, CURATOR
Asia Culture Center, ACC Creation, in Gwangju, South Korea,
from November 25th, 2015 to July 5th, 2016
I have three text/poster works
From Art into Politics and from Politics into Art
Opening of European Promise 11th December
New text on Curating degree zero in OnCurating issue 26
Curating degree zero
Arts Initiative Tokyo,
B+B: Sophie Hope & Sarah Carrington,
Ute Meta Bauer,
Beatrice Von Bismarck,
c a l c,
Copenhagen Free University,
Alice Creischer & Andreas Siekmann, D.A.E: Peio Aguirre & Leire Vergara, Catherine David,
Eichelmann, Faiers & Rust, EIPCP, Octavian Esanu, Jacob Fabricius, Elena Filipovic, Fiteiro Cultural, Freee, Mark Garry, Sönke Gau, Catalin Gheorghe, GMK, David Goldenberg, Horst Griese, Frederikke Hansen,
Andrew Hunt, Per Hüttner, Instant Coffee,
International 3, K&K, Christoph Keller, Alexander Koch, Annette Kosak, Holger Kube Ventura, Kuda.org, Kuratorisk Aktion, Daniel Kurjakovic, Simon Lamunière, Kelly Large, Maria Lind, Locus +, Chus Martínez, Bernd Milla, Elke aus dem Moore, Nina Möntmann, Heike Munder, Lise Nellemann, Tone Olaf Nielsen, Hans Ulrich Obrist, NEID, Paul O’Neill, Marion von Osten, Sarah Pierce/The Metropolitan Complex, Planet22, Tadej Pogacar, Prelom, Aisling Prior, Protoacademy, Catherine Queloz, Reinigungsgesellschaft, RELAX, Dorothee Richter,
Maria Riskova, Stella Rollig, Sabine Schaschl-Cooper, Annette Schindler, Katharina Schlieben, Eva Schmidt, Trebor Scholz, Marco Scotini, Yukiko Shikata, Nathalie Boseul Shin, Gregory Sholette, Joshua Simon, Lisette Smits, Reinhard Storz, Bettina Steinbrügge, Szuper Gallery, Toasting Agency, TNC Network, Attila Tordai, Trinity Session, Mark Tribe, Unwetter, Value, Sencer Vardaman, Yvonne Volkart,
Stevan Vukovic, Gavin Wade, Florian Waldvogel, Cristine Wang, Astrid Wege,
Lee Welch WHW, Jan Van Woensel,
Ina Wudtke, Florian Wüst, Tirdad Zolghadr, Tal Ben Zvi.
The archive of curating degree zero is open to the public at the Media and Information Centre (MIZ) at the Zürich University of the Arts (ZHdK).
Information on the archive
Curating Degree Zero Archive
The Curating Degree Zero Archive (CDZA) documents the work of over 100 contemporary art curators who are known internationally for their critical and experimental positions. This collection of exhibition documentation, gifted to the archivists by the curators themselves, contains, among other materials, catalogues, DVDs, magazines and ephemera. In this way the archive presents a representative cross-section of the critical curatorial discourse at the beginning of the 21st Century.
The project began with the three-day symposium ‘Curating Degree Zero’, organized in Bremen in 1998 by Dorothee Richter and Barnaby Drabble. Between 2003 and 2008 the two curators worked together again on the Archive, which grew in size as it travelles to 18 venues around the world as an exhibition and program of live events and public discussions.
In 2011, the resulting collection was gifted to the Media and Information Centre (MIZ) at the Zürich University of the Arts (ZHdK). Since the opening of the University’s new premises in the Toni-Areal in 2014, the archive ist accessible as a permanent refernce collection in the lower floor of the MIZ.
The entire contents of the CDZA are listed in the NEBIS Catalogue, and material that, due to conservation issues, cannot be accessed directly in the reference section can be ordered for viewing through the NEBIS catalogue. Several unedited video recordings are listed in the eMuseum and can also be requested for viewing in the MIZ archive.
Further information about the archive and the touring exhibition can be found on the former CDZA website which is documented in the Arts Media Archive (Medienarchiv der Künste).
Interview October 2015
||La Post Autonomy di David Goldenberg
di Camilla Boemio
Catalogue for venicevending show