Polemical text and review of “Entangled Pasts 1768 – now – Art, Colonialism and change” at the Royal Academy of Art, London, UK for The New Art Examiner
February 24, 2024
I decided to use the current show at The Royal Academy as a material concrete model to expand my thinking to understand “The Conservative Revolution in Art” and Neoliberalism, specifically Neoliberal institutions and Neoliberal art, through clarifying and expanding new concepts to rethink and update “PostAutonomy”, “A critique of Total