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Text for The New Art Examiner November/December 2023 issue
Collision. Breaking the Colonial mind, thinking and acts. Examining options available today “to engage or leave”. Art as a critique of Colonial, Capitalist and Neoliberal conditions or exodus from these conditions into a new space. 2020 –Screen Captures . Critique of Total Power, The role of art as an understanding
Invitation to the first iron online event Iron online 4 Are we doomed to being Neoliberal artists and working for Neoliberal institutions or are there other routes, strategies, and possibilities? Towards a language of iron, new maps for a new territory 3 Iron online David Goldenberg Bird Saunders Rachel Wilberforce
TAKE PART!ISSUE 07 | 10.2016InhaltEditorial Impressum #7 1 …………………………………………………………………………………………………………….. Introduction Vorwort #7 2…………………………………………………………………………………………………………….Introduction Einleitung – „TAKE PART! Partizipation von Kunst und Bildung aus denken“ 3 …………………………………………. Articles Intervenieren – Forschen – Vermitteln 9……………………………………………………………………………………..Articles “Infelicitous” Participatory Acts on the Neoliberal Stage 19 ………………………………………………………………….. Articles Wozu das Ganze? 30………………………………………………………………………………………………………….Articles Teilhabe am Wissen 39 ………………………………………………………………………………………………………. Articles Die Möglichkeit internationaler Partnerschaft 51…………………………………………………………………………….Articles Gestaltung als Forschung 69 ………………………………………………………………………………………………… Practice The Whole
LIQUID WORKSHOP – msdm: a nomadic House—Studio—Gallery for photographic art and curatorial research, an expanded practice of the artist’s book, photobook publishing and peer-to-peer collaboration Dia / Day 119 de fevereiro |19;00-20:30Topografias Líquidas / Liquid Topography O termo Topografias Líquidas foiintroduzido pela teórica Eugenie Shinkle,associando-o à incapacidade aparente dafotografia revelar