Projects

Collision [Breaking the Colonial mind, thinking and acts. Examining the options available to subjects today, critique as engagement or exodus. Art as a critique of Colonial, Capitalist and Neoliberal conditions or escape/exodus from from these conditions to establish a new space. 2020-
Screen Captures [Critique of Total Power, The space and structure of Neoliberal Reality. Plotting the coming into existence of the new Neoliberal reality and subject] – 2013 – Lille, Bodrum Biennial, 51zero 2019
Aesthetic of Post Autonomy, Cultural forms to embody thinking]looking at different materials and large scale works. 2013 – List exhibitions – Milan, Bodrum Biennial, Deptford X,
Structural changes to art 2020 – Online events, Talk at Rasheed Araeen
This Historic Moment [ Critique and response to the victory of Neoliberalism] 2017 – List exhibitions – Bucharest 2014/15, Ngbk, Odessa Biennial
A New language of Art [Critique and response to Neoliberalism + idea for exiting art and establishing a new space] – 2017 – 5 Years Gallery
Granulation – Rebuilding the Body of Art [Exiting Neoliberalism and establishing a new space for art] – 2019
Delivering Obsolescence [Examining the conditions of Capitalist/Neoliberal art] 2016 – One person show with Camilla, Odessa Biennial 2017
Cultural Temporal Looping – 2017 – Odessa Biennial – Critique of Neoliberalism and aesthetic of Post Autonomy – materials and place to think and embody art
The Transformation of Art 1 & 2, 2013, 2014, Venice Biennial, Caspian Sea Biennial – Breaking Colonisation through art [Neocolonisation] Changing the structure of art and rethinking the role of participatory practices as participating cultures
The scenarios of Post Autonomy, Milan, 2013, Vanabbemuseum, Serpentine,
The limits and failure of participatory practices– Floor Drawing, Participatory Practices taken as far as possible, VanAbbemuseum, 2009, Belgrade, Netwerk
Mobile Documenta, 2010, Chisenhale Studios, Milan, Venice, Baku [ Post Autonomy as a critique of Biennials and Globalisation of Contemporary Art]
Post Autonomy as a Critique of Biennials, Istanbul Biennial, Mongolia Biennial [ an art without art] 2007 & 2010
Participatory Practices continued, Handing over art and positions to other people. Platforms, Space to dream and think, Sharjah Biennial, Artists Network, New York, Netwerk, Belgium, http, London wide project
Century City, Tate Modern, London, UK, 2002
Cologne Kunstverein 2000 – Participatory Practices, Authorship, exchanging positions
Homeless Projects rethinking the role and place of art 1998, London Flat, Mota Gallery, Curating Degree Zero 2003 – 08 Global tour.
Participatory Practices. Arm Bands [ wearable works for the audience to wear during a PV], 1994, Milch, London, Hamburg, Host, Tramway, Glasgow – 1998
The complete victory and contamination of every part of life and the Globe by Capitalism, everything has been photographed, Museum of Installation 1992, Flexible Response, Exhibition London and Bath
Examining the structure of Art – 50X50X50X50, Arm Bands, ICA conference on curating
What is the role of art after the Post Cold war? The Politics of Art 1989, 1994- Minefields 4 Sites, Flexible Response The political role of Contemporary art, Neo-colonialism, the total Colonisation of the Globe by the West and technology as defined and analysed by Heidegger]
The Rituals of Modern Art 1987, Kingsgate studios, Kilburn, London, UK

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