Press Release

DAVID GOLDENBERG

 in

PERSONAL STRUCTURES

55ª Esposizione Internazionale d’Arte la Biennale di Venezia
Palazzo Bembo, Rialto, Canal Grande
Riva del Carbon, San Marco 4785, Venice, Italy

Press  VIP Opening: May 28 – 31, 013.

Opening Party: May 28, 29, 30, 31 from 6.00 PM to 10.00 PM.
From the 1st of June to the 24 of November, 2013.
Opened daily, from 10.00 AM to 6.00 PM. Closed on Tuesday.
Curated by Francesca Crudo, Sarah Gold, Carol Rolla, Valeria Romagnini for GLOBAL
ART AFFAIRS FOUNDATION.

The gallery Glenda Cinquegrana: the Studio is pleased to announce the participation
of the artist David Goldenberg in PERSONAL STRUCTURES, exhibition included in the
collateral events of the 55ª Esposizione Internazionale d’Arte la Biennale di Venezia,
which will take place in the wonderful Venetian location of the  Palazzo Bembo, on
Grand Canal, curated by  Francesca Crudo, Sarah Gold, Carol Rolla, Valeria Romagnini
per la Global Art Affairs.

The exhibition PERSONAL STRUCTURES included in collateral events of 55ª
Esposizione Internazionale d’Arte la Biennale di Venezia brings together an
extraordinary combination of established artists next to artists whose oeuvre is less known.
Coming from different parts of the world and using different media, what they have in
common is a dedication to the concepts of Time – Space and Existence. The exhibition features
a broad variety of artistic media, such as: videos, sculptures, paintings, photos, installations
with light, wallpaper and performance, where each artist in the exhibition presents recent
artworks, either site-specific, especially made for this exhibition, or coming directly from the
artist’s studio.

The invited artists for 2013 are:

Chul Hyun Ahn (KOR), Yoshitaka Amano (JPN), Alice Anderson (GBR), Jan-Erik
Andersson (FIN), Axel Anklam (DEU), Yifat Bezalel (ISR), Hans Bischoffshausen (AUT), Djawid
Borower (DEU), Faiza Butt (PAK), Mimmo Catania (ITA), Genia Chef (RUS), Chen Ping (CHN),
Canal Cheong Jagerroos (CHN), Karlyn De Jongh (NLD), Scott Eady (NZL), Toshikatsu Endo
(JPN), Carole Feuerman (USA), Cristiana Fioretti (ITA), Dale Frank (AUS), Chris Fraser (USA),
Marc Fromm (DEU), Sally Gabori (AUS), Jakob Gasteiger (AUT), Darryn George (NZL), Selby
Ginn (AUS), David Goldenberg (GBR), Gotthard Graubner (DEU), Kimberley Gundle (ZAF),
Laura Gurton (USA), Patrick Hamilton (CHL), Anne Herzbluth (DEU), Per Hess (NOR), Hirofumi
Isoya (JPN), Sam Jinks (AUS), Grzegorz Klatka (POL), Rori Knudtson (NOR), Mehdi-Georges
Lahlou (FRA), James Lavadour (USA), Helmut Lemke (DEU), Luce (LVA), Heinz Mack (DEU),
Michele Manzini (ITA), Christopher Martin (USA), Christian Megert (CHE), Herre Methorst
(NLD), David Middlebrook (USA), Atelier Morales (CUB), Peter Simon Mühlhäußer (DEU),
Hermann Nitsch (AUT), Yoko Ono (JPN), Roman Opalka (FRA), Otto Piene (DEU), Uli Pohl
(DEU), Triny Prada (FRA), Qin Chong (CHN), Stefanus Rademeyer (ZAF), Nicola Rae (GBR),
Arnulf Rainer (AUT), Bogdan Rata (ROU), Thomas Riess (AUT), Rene Rietmeyer (NLD), Yhonnie
Scarce (AUS), Wilhelm Scherübl (AUT), Dmitry Shorin (RUS), Nitin Shroff (IND), The Icelandic
Love Corporation (ISL), Monika Thiele (DEU), Michele Tombolini (ITA), Stefan Toth (CZE), Suh
Jeong Min (KOR), VALIE EXPORT (AUT), Elena & Vitaliy Vasiliev (UKR), Ben Vautier (FRA),
Raphael Vella (MLT), André Wagner (DEU), Xing Xin (CHN), Plamen Yordanov (BGR), Zhang Yu
(CHN).

In this exposition, David Goldenberg presents us with a site-specific project entitled
The Transformation of Art, the ideal outcome of his recent research into the development of
Post Autonomy space as a privileged venue for the renovation of artistic and cultural language.
Goldenberg’s research sets out from the proposition that the structure of contemporary
artistic production, as part of a Eurocentric artistic tradition, is suffering from a profound crisis,
both financial and cultural. Goldenberg, who has repeatedly denounced this status quo,
maintains that it manifests itself particularly as a crisis of language. Following an extended
conceptual reflection which resulted in the continuous inhabiting of the Post Autonomy Space,
the ideal venue for free and autonomous research, the artist now suggests a number of
solutions for its renewal: in Participating Cultures, which are ‘involved in creating new concepts
for their cultures, which are linked neither to the past nor to Western Modernism, but to
concepts which are as of yet unknown’.
The Participating Cultures are present in the creative space of the exhibition by means
of a participatory practice expressed in a program of online debates and activities which,
through the production of mental maps, text works and diagrams, seeks to trace a way out
of the current state of impasse and disorientation. The map is the primary symbol of this
attempt at reform which, by stepping outside of the cultural model of the Biennial, finds in the
reciprocal relationship between European and non-European cultures the basic elements for
reinventing cultural structures and reformulating the goals and objectives of Contemporary Art
as such.

The exhibition PERSONAL STRUCTURES is part of an international art project. It was
initiated in 2002 by the Dutch artist Rene Rietmeyer, who noticed that even in the most
distant corners of the world, there are artists working with Time – Space and Existence,
thereby expressing themselves in a very personal way. This observation led to the idea of
bringing several of these artists together in publications, exhibitions and symposia.

Biography of the Artist

David Goldenberg, (Hitchin, Hertfordshire, UK, 1956) is an important English conceptual artist.Main solo shows. For years, his research has been concentrated on the Post Autonomy concept, whichhe has developed in a number of shows held at important international institutions, standing out amongst th are the recent Italian show at Glenda Cinquegrana the Studio of Milan, The Scenarios of Post

Autonomy on September 2012, followed by the performance In search of Post Autonomy staged at Palazzo
Isimbardi, Milan, with the patronage of Provincia di Milano. To those shows we can add Template – Mobile
Documenta, Chisenhale Studios, London (2011), The Space of Post Autonomy, Arts Depot, Vienna
(2011), Plausible Artworlds, Basekamp, Philadelphia (2010), Mobile Documenta, Fordham Gallery, London
(2009), The Time of Post Autonomy is Now, Your space, Van Abbemuseum, Eindhoven, Holland (2009),
The Space of Post Autonomy, Local Operations, Serpentine Gallery, London (2007).
Main group exhibitions. Goldenberg has participated in a number of collective shows of
international stature,  the Berlin Biennal (2012), the Second Biennial of
Mongolia (2010), the tenth  Istanbul Biennial (2007), and the Sixth Sharjah Biennial,
United Arab Emirates (2003). To these must be added the exhibitions at international public institutions,
such as Jump Into Cold Water, Shedhalle, Zurich (2006), Century City, Tate Modern, London (2001), Out
of Space, Kolnischerkustverein, Germany (2000).
Selected Bibliography. Plausible Artworlds, Basekamp, 2013; Atlantica, 48/49, 2010, Netwerk Center for
Contemporary Art Annual, 2007, Les Merveilles du monde, by Jane Lee, a White Window Project, 2006;
Postautonomie, Edited by StefanBeck, Gutleut Verlaug, 2006; Art Anthology, DuMont Literatur und Kunst Verlag, 
Cologne, 2004; New Media in Late Twentieth Century Art, by Michael Rush, Thames and Hudson book Ed., London,
1995; Installation Art, by Michael Petry, Thames and Hudson Book Ed., London, 1993.

The Post Autonomy Group is made of following artists:
Ozlem Kalmaz (born in Izmir, Turkey, 1980), an artist based in Izmir, Turkey.
Bahram Khalilov (born in Baku Azerbaijan, 1970)Chairman of the United Artists’ Club (BRK), collaborator of the Caspian Sea Biennial, graphic designer of the Arts magazine (İncəsənət) and the creative director for the Centre of Contemporary Art (MiM) in Baku.
Helen Kirwan (born in Dublin, Ireland, 1949), English based lecturer and artist with
an understanding and research into Post Autonomy. She has led a partial research into methodologies
related to materialist practices, including institutional critique and participatory practices, which are
appropriate for this project.
Kate Kotcheff (born in London, 1965), English based filmmaker and artist, Kate
will take responsibility for producing an in-depth documentary on the project.
Andrea Lind-Valdan (born in Copenaghen, Danemark, 1985), is a Danish artist who has
collaborated with the group on previous occasions, particularly in the online performance and
communication in Milan (In Search of Post Autonomy, Palazzo Isimbardi, November 2012 Milan).
Ioana Pioaru (born in Pucioasa, Romania, 1986) is a Romanian artist and designer. She has
experienced working on the Post Autonomy project for a year and a half, having the opportunity to
design, edit and produce four publications. She also assisted on the show in Milan (The Scenarios of Post
Autonomy, Glenda Cinquegrana: the Studio, Milan, 2012); then collaborated on performance in Milan (In
Search of Post Autonomy, Palazzo Isimbardi, November 2012). She played an integral role in the
production of the Venice Biennale project.
Wim Salki (born in Kerkade, The Netherlands, 1960) is a Dutch based artist with considerable
in-depth understanding of installation art and participatory practices, the concept of Post Autonomy,
multiculturalism. He has photographic skills and multi-media. He has worked at the highest levels
including Manifesta and Sharjah Biennial. His research and long term investigations into the effects of
neo-liberalism are particularly significant for the Venice Biennal project.

For further informations and images on the show Personal Structures, please contact the curators
Sarah Gold: +39 349 088 9763 | Carol Rolla +39 328 606 6298
info@globalartaffairs.org.
www.globalartaffairs.org | www.personalstructures.org | www.venice-exhibitions.org
For further informations and images on DAVID GOLDENBERG’s 55ª Venice Biennal project
The Transformation of Art at PERSONAL STRUCTURES, please contact the gallery +39 02/89695586 ot
at the e-mail: press@glendacinquegrana.com.
Further materials for the press are available at gallery social networks:
www.facebook.com/GlendaCinquegranaTheStudio
www.twitter.com/glenda5grana| www.pinterest.com/glenda5grana

The gallery Glenda Cinquegrana: the Studio follows the most recent trends in Italian and
international art. An exhibition space designed for private enjoyment, it was inspired by the creation of
new means of communicating with the public, nearer to the one-to-one and on-demand models.
Glenda Cinquegrana: the Studio | via Francesco Sforza, 49 | I-20122 Milano
www.glendacinquegrana.com | info@glendacinquegrana.com

Con questa e-mail la galleria Glenda Cinquegrana: the Studio ha il piacere di comunicarle che

La galleria Glenda Cinquegrana: the Studio è lieta di annunciare la partecipazione dell’artista David Goldenberg alla mostra PERSONAL STRUCTURES, esposizione inclusanegli eventi collaterali della 55^. Esposizione Internazionale d’Arte la Biennale di Venezia, che si terrà presso la prestigiosa sede veneziana di Palazzo Bembo sul Canal Grande, a cura di Francesca Crudo, Sarah Gold, Carol Rolla, Valeria Romagnini per la Global Art Affairs Foundation.La mostra PERSONAL STRUCTURES inclusa nell’ambito degli Eventi Collaterali della 55ªEsposizione Internazionale d’Arte la Biennale di Venezia, presenta una combinazione di artisti affermati ed artisti il cui percorso è meno conosciuto. Provenendo da diverse parti del mondo ed esprimendosi in maniere differenti, ciò che hanno in comune gli artisti è una dedizione per i temi di Tempo, Spazio ed Esistenza. La mostra presenta una grande varietà di mezzi artistici, tra i quali video, scultura, pittura, fotografia, installazioni luminose e performance, dove ciascun artista in mostra presenta lavori recenti, talvolta site-specific, specialmente realizzati per questa mostra, o pervenuti direttamente dallo studio dell’artista.

David Goldenberg (2013), The Transformation of Art, Visualisation #1, 3D model, B&W photograph, card, corrugated board, Cm 60 x 50 x 40. Courtesy Glenda Cinquegrana: the Studio.
Per questa esposizione, David Goldenberg presenta il progetto site – specific intitolato The Trasformation of Art, che costituisce un’ideale conseguenza della sua recente ricerca sullo sviluppo dello spazio della Post Autonomy, quale sede privilegiata di rinnovamento del linguaggio artistico e culturale.Per scaricare l’invito all’inaugurazione, può cliccare al link sottostante:INVITO (PDF – 4 MB)

Per leggere il Comunicato Stampa completo e vedere le immagini del lavoro di Goldenberg per la Biennale, può cliccare ai links sottostanti:

COMUNICATO STAMPA ( ITA – PDF 164 KB) - (PRESS IMAGES – ZIP 2.7 MB )

PERSONAL STRUCTURES

PV 28th May 2013

Opens 1st June

Closes 24th November

CURATED BY:  FRANCESCA CRUDO, SARAH GOLD, CAROL ROLLA AND VALERIA ROMANINI.

THE INVITED ARTISTS ARE:

Chul Hyun Ahn (KOR), Yoshitaka Amano (JPN), Alice Anderson (GBR), Jan-Erik Andersson (FIN), Axel Anklam (DEU), Yifat Bezalel (ISR), Hans Bischoffshausen (AUT), Djawid Borower (DEU), Faiza Butt (PAK), Mimmo Catania (ITA), Genia Chef (RUS), Chen Ping (CHN), Canal Cheong Jagerroos (CHN), Karlyn De Jongh (NLD), Scott Eady (NZL), Toshikatsu Endo (JPN), Carole Feuerman (USA), Cristiana Fioretti (ITA), Dale Frank (AUS), Chris Fraser (USA), Marc Fromm (DEU), Sally Gabori (AUS), Jakob Gasteiger (AUT), Darryn George (NZL), Selby Ginn (AUS), David Goldenberg (GBR), Gotthard Graubner (DEU), Kimberley Gundle (ZAF), Laura Gurton (USA), Patrick Hamilton (CHL), Anne Herzbluth (DEU), Per Hess (NOR), Hirofumi Isoya (JPN), Sam Jinks (AUS), Grzegorz Klatka (POL), Rori Knudtson (NOR), Mehdi-Georges Lahlou (FRA), James Lavadour (USA), Helmut Lemke (DEU), Luce (LVA), Heinz Mack (DEU), Michele Manzini (ITA), Christopher Martin (USA), Christian Megert (CHE), Herre Methorst (NLD), David Middlebrook (USA), Atelier Morales (CUB), Peter Simon Mühlhäußer (DEU), Hermann Nitsch (AUT), Yoko Ono (JPN), Roman Opalka (FRA), Otto Piene (DEU), Uli Pohl (DEU), Triny Prada (FRA), Qin Chong (CHN), Stefanus Rademeyer (ZAF), Nicola Rae (GBR), Arnulf Rainer (AUT), Bogdan Rata (ROU), Thomas Riess (AUT), Rene Rietmeyer (NLD), Yhonnie Scarce (AUS), Wilhelm Scherübl (AUT), Dmitry Shorin (RUS), Nitin Shroff (IND), The Icelandic Love Corporation (ISL), Monika Thiele (DEU), Michele Tombolini (ITA), Stefan Toth (CZE), Suh Jeong Min (KOR), VALIE EXPORT (AUT), Elena & Vitaliy Vasiliev (UKR), Ben Vautier (FRA), Raphael Vella (MLT), André Wagner (DEU), Xing Xin (CHN), Plamen Yordanov (BGR), Zhang Yu (CHN).

MORE INFORMATION ON:

www.venice-exhibitions.org

www.palazzobembo.org

Please support our project for the Venice Biennial

New Book Plausible artworlds published by Baskamp.

Published March 2013.  Includes images of recent post autonomy projects and interview by David Goldenberg

Weekly Online talks and events

The Language of Post Autonomy

Monday 4pm – 7pm

Please go to  http://www.postautonomy.com for further details

skype:post-autonomy

Each Monday starting at 4 pm GMT

Go to skype: post-autonomy if you want to take part

or go to http://www.postautonomy.com for further details, archive and details of forthcoming events

Participating Cultures

A series of events and discussions looking at the process to generate concepts and language appropriate to developing Post Autonomy as a program for Transforming Art.

Part 1

Centre for possible studies

Tuesday 26.2.2013

12am – 4pm

Metamodelling

Project in collaboration with Fordham Gallery

April 2013

Details to follow

David Goldenberg in discussion during the opening of the show

This video shows a very good concise introduction to the show

In Search of Post Autonomy

New video on the performance in Milan published by Artribune TV

http://www.artribune.com/2012/12/david-goldenberg-e-la-sua-in-search-of-post-autonomy-immagini-dalla-performance-a-palazzo-isimbardi-milano/#

la mostra personale di David Goldenberg, The Scenarios of Post Autonomy alla galleria Glenda Cinquegrana: The Studio dal 18 settembre al 18 ottobre 2012 vista dalle telecamere del programma ARTV del canale CLASS CNBC.

https://twitter.com/Scenarios_of_PA

http://www.1fmediaproject.net/2012/09/18/david-goldenberg-the-scenarios-of-post-autonomy-glenda-cinquegrana-the-studio-milan/

http://www.facebook.com/ScenariosOfPA?ref=ts

A broadcast on the show goes out on  Saturday the 6th of October on Class Cnbc

http://www.padpad.eu/Detail_News_Display?ID=6445

http://www.flickr.com/photos/25415623@N04/sets/72157631635908124/

Touring exhibition “The scenarios of Post Autonomy”

18th September 2012 – 25th October 2012

Gallery Glenda Cinquegrana: the Studio, Milan, Italy

http:// www.glendacinquegrana.com

The Scenarios of Post Autonomy 2

Fordham Gallery, UK

November/December 2012
Further  dates to be confirmed for the following venues

Onomatopee, Eindhoven, The Nederlands

Plan Cologne, Germany, 2014

Launch of 3 new small books and full scale visulization book “Towards a Topology of Post autonomy” and portfolio of Digital prints examining Post Autonomy

To coincide with the exhibition in Milan a series of new books and booklets will be launched -

Texts & Scripts, A short History of Post Autonomy, MD 1,2 & 3

“Mobile Documenta”

in collaboration with Ioana Pioaru

Towards A Topology of Post Autonomy – a new visualisation by Ioana Pioaru of a note book by David Goldenberg produced in 2009

Mobile Documenta 1,2 & 3 – collected small catalogues, texts and images from 3 shows 2009 – 2011

A short history of Post Autonomy – this includes a brief history of the the term and sources for Post Autonomy 1970′s to 2010, and a chronology of projects examining Post Autonomy from 1999 – 2012

Texts and scripts – recent texts 2007 – 2012 – material produced since the Istanbul Biennial in 2007, texts for the Mongolian Biennial 2010, Conference in Baku in 2011, Conference at the Arts depot, Vienna, Austria, in 2010 and an unpublished text for an unrealised project in India in 2009/10.

 Visualization of a 2009 notebook “Towards a Topology of Post Autonomy”

 Developing Post Autonomy a 10 minute Slide show 2010-12

There are 2 portfolios  available

The Transformation of Art

Which contains a selection of 24 colour A4 digital images of florr texts and drawings from the Vanabbemuseum 2009 and ITS-1 Belgrade 2010, Boxed with embossed title

Mobile Documenta

Collected booklets and book with CD and installation shots and posters, boxed with embossed title

Installation shots from glenda-cinquegrana-the-studio-milan

Visualising Post Autonomy as a discourse on Globalisation, Colonisations and Biennials

Testing out claims made about art

Tracing a route towards thinking and language through resoving the inherent contradictions at the heart of Modernism i.e. A Euro centric tradition

Assembling an idea of a Mobile Documenta using containers as Pavilions

The scenarios of Post Autonomy

Horizontal and vertical thinking

The scenarios of Post Autonomy 2

A talk on October 6th 4pm

Guests who will join David Goldenberg

Radical Intention from Milan – Examination of Radical art practices today and whether there is a role for the Avant Garde;

http://radicalintention.wordpress.com/

Wim Salki from Holland – will discuss his new project examining Neo Liberalism “Before I forget…Frustuck bei Tiffany..work in progress”

http://www.wimsalki.eu/wim%20salki/wim%20salki.html

Eleana Louka from London – performative documentary practices, and will show her new video

http://www.eleanalouka.co.uk

Daniele Marx from Rio de Janeiro, Breaking through Colonial and Global practices;

http://www.danielemarx.com/

Elisabeth Penker from Vienna, First Nations Pavilion;

http://www.museumsguide.steiermark.at/cms/beitrag/10332460/8482177/

Beatrice Catanzaro from Nablus – How to build a new political role for art

http://baitalkarama.org/

Brief outline 

Scenarios of Post Autonomy 2 – using the exhibition to trigger a discussion

Now that the exhibition “The Scenarios of Post autonomy” is in place, we can go on to the next stage and look at how to use the material facts of the exhibition itself to assist us to think about clarifying the term Post Autonomy and make it understandable!

The Scenarios of Post Autonomy uses the term Post Autonomy to address the existing state of affairs – as though we already exist in a state of Post Autonomy – whether the break down of our freedoms and attacks against the institution of art, or the use of Post Autonomy as a fiction, as a proposition, that we can use to start to build a new art, a second history of art.

The exhibition sought two basic issues: how to visualise what is understood by Post Autonomy as a discourse examining Biennials, globalisation and colonisation, and using the image of a Mobile Documenta as a route out of the problems inherent to Modernism and the backdrop that we all work in.

The exhibition proposes a number of claims – because we have not addressed the fundamental problems at the heart of Modernism i.e. its role in globalisation and colonisation; the claim that we have art, language and thinking is an illusion, and this problem is made more complex today through the existence of Global Neo Liberalism, that has absorbed all positions and thinking. By using the labour of establishing the position of Post Autonomy, we can establish just such a position that allows us to propose a critique of the existing state of affairs, and to look at recovering thinking and a language and build a second history of art along fundamentally new principles.

If we understand the use of Post Autonomy as a route out of the problems posed by Modernism and a means of not repeating those problems and establishing a new art, then how do we use the different threads of thinking developed throughout the exhibition to clarify the context that allows us to ask the following basic questions: How do we think about Post Autonomy? How do we pose a question about Post Autonomy? And how do we search for the language of Post Autonomy?

The talks will then lead to The scenarios of Post autonomy 3 – In search of Post Autonomy a collaborative series of random talks and new drawing and texts in different sites around Milan

*David Goldenberg is looking for collaborators to work on this part of the project. 

Using the exhibition as a backdrop for thinking + floor drawings and discussions

The scenarios of Post Autonomy  3 – In search of Post Autonomy

Palazzo Isimbardi, Corso Monforte, 35, 20122 Milano, Italy

in collaboration with Gallery Glenda Cinquegrana: the Studio

The date and time for the event is Sunday 25th November

between 10am and 6pm

In Search of Post Autonomy

designed and animated by Ioana Pioaru

in search of PA

dialogue

intuitive map of palazzo isimbardi

global map

Performance – In Search of Post Autonomy

Palazzo Isimbardi, Milan, November 25th 2012

Transcript of skype discussion

[25/11/2012 10:56:07] Stense Andrea Lind-Valdan: It is about finding new means of exploration in finding or being open to new interpretations of what you are already doing
[25/11/2012 10:59:30] Stense Andrea Lind-Valdan: There is also a difference between the written and the spoken language, that might be important in this method of searching via drawing and writing
[25/11/2012 11:03:58] post-autonomy: thats an interesting point you are making
[25/11/2012 11:04:22] post-autonomy: what do you think spoken language can do, and written language can’t
[25/11/2012 11:04:45] Stense Andrea Lind-Valdan: Well, it is different parts of the brain working..
[25/11/2012 11:05:44] Stense Andrea Lind-Valdan: Also in accordance to what you remember, what is lost. Memory is connected in different ways to writing and speaking.
[25/11/2012 11:07:47] post-autonomy: true
[25/11/2012 11:07:54] Stense Andrea Lind-Valdan: So what is the body in this search. What is the voice as a body between the physical body and the space surrounding the body. How do you write what you sound like and does the unconscious sounds that we make when speaking, record them selves in writing
[25/11/2012 11:07:55] post-autonomy: speaking is also evanescent
[25/11/2012 11:08:01] Stense Andrea Lind-Valdan: yes
[25/11/2012 11:08:27] post-autonomy: great, we will add all that
[25/11/2012 11:08:58] post-autonomy: i am also thinking that the remembrance of spoken language is bound to alter it
[25/11/2012 11:09:12] Stense Andrea Lind-Valdan: yes. I agree.
[25/11/2012 11:09:17] post-autonomy: like when i try to write what you say
[25/11/2012 11:09:34] post-autonomy: it is my understanding of it, and my memory of it
[25/11/2012 11:09:41] post-autonomy: not exactly accurate
[25/11/2012 11:09:54] post-autonomy: and always interpretative
[25/11/2012 11:09:55] Stense Andrea Lind-Valdan: yes, that is so very interesting. I dont see that as a bad thing.
[25/11/2012 11:10:10] post-autonomy: so that may be a new way of exploring new territory?
[25/11/2012 11:10:19] post-autonomy: through more subjectivity
[25/11/2012 11:10:30] Stense Andrea Lind-Valdan: Actually, that is in some way, yes, exactly! Just what I was writing
[25/11/2012 11:10:34] post-autonomy: rather than very accurate documentation
[25/11/2012 11:10:40] post-autonomy: true
[25/11/2012 11:10:48] post-autonomy: great!
[25/11/2012 11:10:57] Stense Andrea Lind-Valdan:
[25/11/2012 11:13:47] post-autonomy: can we actually talk about a true loss in art and culture or are we actually talking about a natural errosion of language?
[25/11/2012 11:16:24] Stense Andrea Lind-Valdan: Do you believe in loss per se? Is language a Constant such as energy which just changes it’s shape and size and thus varies in accordance with what we are able to percieve?
[25/11/2012 11:17:50] post-autonomy: i think language as a tool is a representation of things and yes it can vary a lot
[25/11/2012 11:18:35] post-autonomy: the first and most obvious variation is that of the nationality of language…if we talk about spoken language
[25/11/2012 11:18:53] post-autonomy: and meaning changes in translation
[25/11/2012 11:19:23] Stense Andrea Lind-Valdan: but still I don’t know if you could talk about loss..
[25/11/2012 11:20:09] post-autonomy: well we can in so far that language loses its capacity of representing reality accurately because it cannot keep up with it
[25/11/2012 11:20:17] post-autonomy: with all the changes taking place
[25/11/2012 11:23:40] Stense Andrea Lind-Valdan: When does language ever represent reality? Most of the time, do we even know what we understand as mutual reality. Are we aware of our true reality and do we only think we agree insofar as we could not proceed without that feeling of relating meaningful to each other. I don’t think about the language as  representation of reality, more as a representation of experience and that is what I mean by questioning the loss..
[25/11/2012 11:29:27] post-autonomy: i think it is very good that you mention mutual reality because it is in this sphere that the discussion about language takes place. so language is like a mutual agreement isnt it? is what a group of subjects agree to use to designate things that they experience through their individual perception
[25/11/2012 11:29:47] post-autonomy: they have this mutual code they can use in order to understand each other
[25/11/2012 11:30:31] post-autonomy: it cannot be perfect , of course, it will never be able to perfectly express every type of individuation and subjectivity
[25/11/2012 11:39:51] Stense Andrea Lind-Valdan: Yes, we exchange meanings which we think of as mutual understandings, my question is, how do we know what we ourselves – with our whole subconcious reading – understand as real and/ or the meaning.. I don’t know if I can say that I am at all times understanding the communication between myself and other people, or even what I mean myself.. Sometimes I have the experience of having had a whole conversation which ends in mutual agreement, and then still not knowing what I have said or being able to give an accurate account of the conversation. The other side of what you said about the spoken language being evanescent, that the written is much more concrete. Of course that is just stating the obvious.. I am interested in whether you can give the written language the same fragile conditions as the spoken.. Maybe perhaps through a longer process of fabulating in the writing.. Can you eg. make a written Freudian slip? Or is it even possible to avoid making written Freudian slips?
[25/11/2012 11:46:32] Stense Andrea Lind-Valdan: Or maybe that whole thing is just to cover for trying to avoid the awareness of losing ground all the time..
[25/11/2012 11:49:39] post-autonomy: ok what you just said there sort of shows the pointlessness of this written discussion, because we had just agreed earlier on that it might be more interesting to use spoken language and explore its fragility
[25/11/2012 12:36:47] *** Call ended, duration 1:58:13 ***
[25/11/2012 12:55:52] post-autonomy: The name in italian: Linea comburente
[25/11/2012 12:56:06] post-autonomy: like comburency line
[25/11/2012 13:04:13] post-autonomy: there seems to be a problem with the connection again
[25/11/2012 13:05:41] Stense Andrea Lind-Valdan: I can’t see you..
[25/11/2012 13:08:23] Stense Andrea Lind-Valdan: I will be right back
[25/11/2012 13:19:38] *** Missed call from Stense Andrea Lind-Valdan. ***
[25/11/2012 13:19:53] *** Missed call from Stense Andrea Lind-Valdan. ***
[25/11/2012 13:24:48] post-autonomy: info@lineacomburente.com
[25/11/2012 13:25:18] post-autonomy: andrea.pingu@alice.it
[25/11/2012 13:25:50] post-autonomy: adellarte@googlemail.com Andrea and Adriana
[25/11/2012 14:08:52] Stense Andrea Lind-Valdan: I feel a little detached..
[25/11/2012 14:10:55] *** Missed call from Stense Andrea Lind-Valdan. ***
[25/11/2012 14:13:35] *** Stense Andrea Lind-Valdan created a group conversation with Ozlem Kalmaz.
Show group conversation ***
[25/11/2012 14:19:17] *** Call ended, duration 05:46 ***

Post Autonomy within Post Autonomy

New article on Post Autonomy

A  David Goldenberg and Eleana Louka project

[Please down load Flyer for project]

[Please download A3_poster]

Configuration 1

Configuration 2

with shots of  Elisabeth Penkers  1st Nations Pavillion  and interview with  Beatrice Catanzaro inside her current show “A needle in the binding.”

book proposal by Beatrice Catanzaro- A needle in the binding

A nedle in the binding_poster

Copyright Beatrice Catanzaro and contributors

View of books used by Prisoners

Outline

This new work reconstructs and develops ideas staged in Belgrade last year at the ITS-1, “How to stage a project examining Post autonomy within the framework of the limitations of existing material means for staging art? – while looking at steps towards beginning to start a project examining Post Autonomy.” The work clarifies the inherent contradictions and problems of staging a project examining PA within the normalized orthodoxy of a conservative art system en route towards understanding and constructing a material form of Post Autonomy.

The exhibition will comprise a structure that can be moved into different configurations each day, 2 Video projections by Eleana Louka, ” Slide projections by David Goldenberg “Culture State” 2006 – 2011. Re-readings of two performance/lectures by David Goldenberg, recently presented at the Mongolian Biennial in 2010, and  Baku this year, Post Autonomy now 3 and 4, imagining a space beyond the end of Biennials, Globalization and Colonization, the move from a limited outline of PA towards its full potential.

Chisenhale Art Place, Room 17b, 2nd Floor, 64 Chisenhale rd, London E3 5QZ

Slide and video works by David Goldenberg & Eleana louka

David Goldenberg

Culture State 2006 -11

Towards Post Autonomy stage 1

The beginning and end of a euro centric tradition
Reality check
Walks 2- 6
This is where the World enters London
London as a Global City
Migration, distance, separation,
Locating images of Globalisation and Colonisation

Towards Post Autonomy stage 2

The Politics of Biennials and Documenta

A future Dictionary

Eleana Louka

Busts – 2011
DTN – 2009/10

Skype conversations

1.

With Beatrice Catanzaro concerning a year long project in the West Bank and the issue of Western interventions in conflict zones – how to redefine more precisely the role of Euro Centric art practices in a Global context.

2

Danielle Marx project on contemporary art and participatory pratices in Brazil

3

Maja Ciric and Serbian artists response to texts define the movement towards developing staginga Post Autonomous practice

4

A new text on Post Autonomy by Michael Lingner – develops thinking into Heideggers ideas on Art – that art is not to be found in the art object, therefore where is art? And who has the responsibility for defining what art is?

5

Selected recent works by the Austrian artist Elisabeth Penker

Times  open to the public

Open 30th September, 1/2nd/14th/ 26th/27th October/4th November

* Please note further dates will follow

and by appointment.

Please see websites for further details or contact

07722653486
dged03@hotmail.com

http://www.postautonomy.co.uk
http://www.postautonomyarchive.co.uk

Organised by The Post Autonomy Group

A new website for the project is planned to be available at the beginning of the exhibition plus a small booklet

Un projet par David Goldenberg et Eleana Louka
avec l’aide de Ellen Taylor
(S’il vous plaît télécharger Flyer du projet)

Ce nouvel ouvrage reconstruit et développe des idées organisés à Belgrade l’année dernière à l’ITS-1. “Comment mettre en scène un projet examinant La Post-Autonomie dans le cadre des limites des moyens materiels existents pour la mise en scène d’art? – tout en regardant des mesures pour commencer un projet examinant La Post-Autonomie. L’ouvrage clarifie les contradictions inhérentes et les problèmes de mise en scène d’un projet examinant PA, au sein de l’orthodoxie normalisée d’un système d’art, en route vers la compréhension et la construction d’une forme matérielle de Post Autonomie.

L’exposition comprendra une structure qui peut être changée en différentes configurations chaque jour, deux projections vidéo par Eleana Louka, des projections de diapositives par David Goldenberg “Etat de la culture” 2006 -. 2011 Re-lectures de deux performances / conférences par David Goldenberg, récemment présentées à la Biennale de Mongolie en 2010, et Bakou, cette année, Post Autonomie maintenant 3 et 4, en imaginant un espace après la fin des Biennales, la mondialisation et de la Colonisation, le passage d’un aperçu limité de PA vers son plein potentiel.

Chisenhale Art Place, Room 17b, 2nd Floor, 64 Chisenhale rd, London E3 5QZ

Projections de diapositives et vidéo par David Goldenberg et Eleana Louka

Etat de la culture
Vers Post Autonomie phase 1

Le début et la fin d’une tradition eurocentrique
Reality check
Démarches 2 à 6
C’est là où le monde entre Londres
Londres comme une ville mondiale
Migration, distance, séparation,
Repérage des images de la mondialisation et de la Colonisation

Vers Post Autonomie, phase 2

La Politique des Biennales et Documenta

Un dictionnaire futur

Eleana Louka

Busts – 2011
DTN – 2009/10

Conversations Skype

1.

Avec Béatrice Cantazaro concernant un projet d’une année dans la Cisjordanie et la question des interventions occidentales dans les zones de conflit – la façon de redéfinir plus précisément le rôle des pratiques d’art Eurocentrique dans un contexte mondial.

2

Danielle Marx – projet sur l’art contemporain et pratiques participatives au Brésil

3

Maja Ciric et artistes serbes  – réponse à textes définissant le mouvement vers le développement d’une pratique Post Autonome

4

Un nouveau texte sur Post Autonomie par Michael Lingner – développe la pensée en idées de Heidegger sur l’art – que l’art ne se trouve pas dans l’objet d’art, donc où est l’art? Et qui a la responsabilité de définir ce qu’est l’art?

Heures d’ouverture au public
Le 30 Septembre, le premier/2/14/26/27 Octombre, le 4 Novembre, et rendez-vous
S’il vous plaît prendre note que d’autres dates suivront

Voir les sites pour plus de détails ou contactez

07722653486
dged03@hotmail.com

http://www.postautonomy.co.uk/
http://www.postautonomyarchive.co.uk/

Organisé par le Groupe Post Autonomy

Un nouveau site pour le projet est prévu pour être disponible au début de l’exposition ainsi qu’un petit livret