One person show at Villa Caprile, Pesaro, Italy
Curated by Camilla Boemio with AAC Platform
Sponsored by Ioana Pioaru and Sistemi2000 Srl
In 2 parts: installation as an archaeology of the conditions for staging art today and a found Press release.
Found press release
1. European Promise, a project by Jochen Gertz, November 2015
2. 20th June Art against austerity, as part of the protest against austerity, London, UK
3. 2015 Spatialisation of Art, PV 21st June, CNM, National Gallery of Macedonia
4. Tolerance and forbearance 2nd International Bodrum Biennial 12th September – 12th November 2015, with Mounir Fatmi, Djawid C. Borower, Triny Prada, , Elisabeth Penker, David Mabb
Full list- http://www.bodrumbienal.org/tr/2015-bienal-sanat%C3%A7%C4%B1lar%C4%B1/
5. DEPTFORD CONVERSATIONS, Curated by Janette Parris. DEPTFORD X: London’s Contemporary Art Festival . 25 th September – 4 th October
Paul Noble, Georgina Starr, Simon Patterson, Lucy Gunning, Catherine Yass, Elizabeth Wright, Bridget Smith, Neal Tait, Sarah Dobai, Jessica Voorsanger, Brian Dawn Chalkley, Alison Jones, Ruth Maclennan, Kimathi Donkor, Judith Dean, Tony Rickaby, Cullinan Richards, Jemima Stehli, Mike Stubbs, Nicola McCartney, Jane Draper, Richard Kirwan, Sadie Murdoch, Erika Winstone, Alison Gill, Mark Dean, Arnaud Desjaurdin, Cecille Emmanuelle Borra, Robert Ellis, Kaye Donachie, Edward McCool, Lolly Batty, Steven Appleby, Marion Coutts, Karin Ruggaber, Rachael House, Dawn Mellor and Jason Oddy.
6. OUR GLOBE OUR DREAM, WHAT IF? Projecting our dream for the world, our reality in the future. MARINA MORENO & ART-E-MOTION.
7.Archive of Artists’ Publishing: BookBlast. Banner repeater. Launch Whitechapel Gallery, Late September. The exact date and location in the gallery will be posted soon.
8. October Exhibition and book publication, Chelsea school of art, London, UK [Further information to follow]
9. Project with Jan-Hendrik Pelz. [Date and further info will follow shortly]
16. New text that I assisted with for Reflektor – http://reflektor-m.de/kuenstler/text/counter-cultural-curating-the-one-night-exhibitions.
17. New article – http://www.medyaege.com/dunyaca-unlu-sanatcilar-bodrumda-bulusacak/47116/
Uros Djuric, Ines Efremova, Dijana Bogdanovska, Ilina Cholak, Pavel Pavelka, Irmak Donmez, Dilyana Stoimenova
Fitore Isufi – Koja, Maureen Bachaus, Kushtrim Zeqiri, OPA, Duygu Sezgin, Chrissie Barrows
Ana Lazarevska, Bekim Korca, Iceberg Fernandez, Jeton Muja, Maureen Bachaus, Ioana Pioaru, David Goldenberg, Brigita Antoni, Katarina Bunushevac
Celebrating 25 years of Existence of the Art colony Galichnik
In collaboration with Skopje Summer Festival (Скопско лето)
Art Colony Galicnik from the very beginning in 1990 has been following the current developments in visual arts with participation of Macedonian and above all international artists where in the ambient of the western part of Macedonia, in the Reka region, works of art are created that remain as Macedonian cultural heritage and artistic treasure. One of the characteristics of Galicnik Art Colony is that it continuously follows the current happenings in art, especially the art of new visual practices emerging in the last ten years, and is one of the few in the region and beyond where artists work in non-traditional artistic mediums i.e. they work in the so-called new media art, so it can rightly be said that this colony can carry the title multimedia art center.
The joining of the artists is well known from the period of impressionism and painting in the open – plein-air, which can be said is the precursor of the organization of the today’s art colonies. The term colony in the past (and even today in some parts of the world) is/was a gathering of people outside their territory, as a means of spreading the power of the imperialist countries… The power of the international art colonies consists of joining of artists from different parts of the world and creation of artistic and utopian state in time without political or provisional authority, governed by the ideology of creativity, where opinions, theories, work and experiences in the field of visual arts are exchanged and disseminated. Seen from a historical, geopolitical and socio-cultural aspect, Galicnik Art Colony as a projection of the authoritarian rule of the concepts and the ideas of and about art is experiencing the need for anesthetizing the world around us, which is imperative to art. The colonization of art in this regard is beneficial in our society making this art colony or workshop one of the most important socio-cultural phenomena present in Macedonia, the region and beyond.
During the last three years in Galicnik have created young artists from Macedonia (Ana Lazarevska, Dijana Bogdanovska, Ines Efremova, Ilina Cholak…), from the region; Europe and the rest of the world (Chrissie Burrows, Dilyana Stoimenova, Duygu Sezgin, Irmak Donmez, Jeton Muja, Maureen Bachaus, Pavel Pavelka, Uros Djuric etc.) in various media: conceptual photography, digital art, video, performance, comic book… where artists guided by their conceptual vocation have left works which enrich the fund and the production of works of art of the contemporary visual artistic expression in Macedonia.
The group show Dispositions in Timer and Space has now been extended until June.
BÜRO WELTAUSSTELLUNG Stiege 1 / Mezzanin
& nach Vereinbarung
“Revolution and Heresy”
“Since I will be discussing, throughout this text, the term Post Autonomy [I will use the abbreviation PA for Post Autonomy], which is probably unfamiliar to many peo- ple, I need to provide a basic genealogy and definition. At this point, all I want to say is that the term was invented in the 1970s in response to Barthes’ ”The Death of the Author” and revived in the 1990s as an alternative term for and critique of Post Modernism. Several authors inter- pret the term Post Autonomy to signal “after art”, or “the end” or “completion of Autonomy”.”
David Goldenberg, Between Revolution and Heresy, 2014
The Digital Resource Library is a collection of readings, publications and surveys written on the
developments in e-book production. This parallel line of book making consequently drives publishers,
authors and readers into a new culture of disseminating and absorbing information.A selection of e – books inviting the public to experience artists’ and writer’s experimentations with this multimedia platform will also be on display in The Digital Resource Library space. This collection will remain a permanent and growing section of Townhouse’s Library Space, as an accessible center for information, collaboration and public contribution.
The library will be open to the public as of March 16, 2014.
… عن انتاج و نشر و قراءة الكتب الرقميةمكتبة المورد الرقمي هي مجموعة من القراءات، المطبوعاتو الدراسات المكتوبة عن التطورات في مجال انتاج الكتبالإلكترونية، مما يجذب الناشرين، الكُتاب و القراء إلى ثقافةجديدة لتناول و تلقي المعلومات.ستتضمن المكتبة مجموعة مختارة من الكتب الإلكترونيةتدعو العامة لخوض التجربة التي قام بها الفنان و الكاتبمع هذه المنصة متعددة الوسائط. ستشغل هذه المجموعة
قسماً دائماًو متزايداً في مكتبة تاون هاوس ليكون مركزاًمتاحاً للمعلومات و التعاون و المشاركة العامة.سوف تفتتح المكتبة للعامة من يوم 16 م٢٠١٤ .مشروع تعاون بين دينا كفافي و جاليري تاون هاوس)القاهرة(، شبكة الخدمات الاعلامية الدولية لحقوقالانسان )السويد(، برلينربول شبكة الفنون + أرشيفالمحمول )برلين( بمشاركة آرت ترانسبوندر )برلين(.يقام هذا المشروع كجزء من برنامج معهد جوتهفي إطار شراكة التحول الألمانية المصرية التونسيةو التي يدعمها مكتب العلاقات الخارجية لجمهوريةألمانيا الاتحادي.لمزيد من المعلومات و للحصول على جدول الفعالياتيرجة متابعتنا على:
في حالة وجود أسئلة يرجى الكتابة إلى
تاون هاوس | ١٠ شارع النبراوي متفرع من شارع شمبليون | وسط البلد | القاهرة
A project of Dina Kafafi in collaboration with Townhouse (Cairo), International Media Network
Services for Human Rights (Sweden), berlinerpool arts network+mobile archive (Berlin) in cooperation with arttransponder (Berlin). This project falls within the frame of the Goethe
Institut’s German-Egyptian-Tunisian Transformation Partnership, sponsored by the Foreign Office of the Federal Republic of Germany.
For news and schedule of events follow us on:www.thetownhousegallery.com/projects/
For further queries email: email@example.com
October 2013 Caspian Sea Biennial Convention, Baku, Azerbaijan October 5th – 10th Artists
David Goldenberg in discussion during the opening of the show
In Search of Post Autonomy
New video on the performance in Milan published by Artribune TV
milano/#la mostra personale di David Goldenberg, The Scenarios of Post Autonomy alla galleria Glenda Cinquegrana: The Studio dal 18 settembre al 18 ottobre 2012 vista dalle telecamere del programma ARTV del canale CLASS CNBC.
A broadcast on the show goes out on Saturday the 6th of October on Class Cnbc
Texts & Scripts, A short History of Post Autonomy, MD 1,2 & 3
in collaboration with Ioana Pioaru
Towards A Topology of Post Autonomy – a new visualisation by Ioana Pioaru of a note book by David Goldenberg produced in 2009
Mobile Documenta 1,2 & 3 – collected small catalogues, texts and images from 3 shows 2009 – 2011
A short history of Post Autonomy – this includes a brief history of the term and sources for Post Autonomy 1970’s to 2010, and a chronology of projects examining Post Autonomy from 1999 – 2012
Texts and scripts – recent texts 2007 – 2012 – material produced since the Istanbul Biennial in 2007, texts for the Mongolian Biennial 2010, Conference in Baku in 2011, Conference at the Arts depot, Vienna, Austria, in 2010 and an unpublished text for an unrealised project in India in 2009/10.
Visualization of a 2009 notebook “Towards a Topology of Post Autonomy”
The Transformation of Art
Which contains a selection of 24 colour A4 digital images of floor texts and drawings from the Vanabbemuseum 2009 and ITS-1 Belgrade 2010, Boxed with embossed title
Collected booklets and book with CD and installation shots and posters, boxed with embossed title
Installation shots from glenda-cinquegrana-the-studio-milan
Visualising Post Autonomy as a discourse on Globalisation, Colonisations and Biennials
Testing out claims made about art
Tracing a route towards thinking and language through resoving the inherent contradictions at the heart of Modernism i.e. A Euro centric tradition
Assembling an idea of a Mobile Documenta using containers as Pavilions
The scenarios of Post Autonomy 2
Using the exhibition as a backdrop for thinking + floor drawings and discussions
Performance – In Search of Post Autonomy
Palazzo Isimbardi, Milan, November 25th 2012
Post Autonomy within Post Autonomy
New article on Post Autonomy in Ari