Curated by Camilla Boemio with AAC Platform
One person show At Villa Caprile, Italy
Sponsored by Ioana Pioaru and Sistemi2000 Srl
In 2 parts: installation as an archaeology of the conditions for staging art today and a found Press release.
Hertfordshire University Curated by Janette Parris
21st – 25th Parallel Vienna, group show with Dadadada
Art Riot Exhibition, Chelsea School of Art, London, UK
“Delivering Obsolescence: Art bank, Data bank, food bank” One person show at the Palace of Villa Caprile, Le Marche, Italy. Curated by Camilla Boemio and AAC Platform
Group show, Kunst Altonale 18, Hamburg, Germany
Stasis and Looping
I have new work in a new book
New text in collaboration with Maria Inez Plaza
New text on Participating Cultures for Reflector M
Here, There and Everywhere: Eurasian Cities
Project Director, Project Artist Kyong Park
JIHOI LEE, CURATOR
Asia Culture Center, ACC Creation, in Gwangju, South Korea,
from November 25th, 2015 to July 5th, 2016
I have three text/poster works
From Art into Politics and from Politics into Art
Opening of European Promise 11th December
New text on Curating degree zero in OnCurating issue 26
The archive of curating degree zero is open to the public at the Media and Information Centre (MIZ) at the Zürich University of the Arts (ZHdK).
The Curating Degree Zero Archive (CDZA) documents the work of over 100 contemporary art curators who are known internationally for their critical and experimental positions. This collection of exhibition documentation, gifted to the archivists by the curators themselves, contains, among other materials, catalogues, DVDs, magazines and ephemera. In this way the archive presents a representative cross-section of the critical curatorial discourse at the beginning of the 21st Century.
The project began with the three-day symposium ‘Curating Degree Zero’, organized in Bremen in 1998 by Dorothee Richter and Barnaby Drabble. Between 2003 and 2008 the two curators worked together again on the Archive, which grew in size as it travelles to 18 venues around the world as an exhibition and program of live events and public discussions.
In 2011, the resulting collection was gifted to the Media and Information Centre (MIZ) at the Zürich University of the Arts (ZHdK). Since the opening of the University’s new premises in the Toni-Areal in 2014, the archive ist accessible as a permanent refernce collection in the lower floor of the MIZ.
The entire contents of the CDZA are listed in the NEBIS Catalogue, and material that, due to conservation issues, cannot be accessed directly in the reference section can be ordered for viewing through the NEBIS catalogue. Several unedited video recordings are listed in the eMuseum and can also be requested for viewing in the MIZ archive.
Further information about the archive and the touring exhibition can be found on the former CDZA website which is documented in the Arts Media Archive (Medienarchiv der Künste).
Catalogue for venicevending show
( ) Collapse, 2015, Şevket Sabancı Kültür ve Sanat Merkezi, Turgutreis
“In a technical sense the project is looking at the erosion of thinking and art under the regime of Neo-Liberalism primarily through the prism of Post Autonomy, which I no longer understand as a theory but a means to record the erosion and loss of the attributes of art and thinking leading to this historical moment – so the work is a meditation on this. It also poses a provocation if art is truly free which aspects of society is art capable of interrogating, and making transparent, which leads onto locating images for Colonialism and Globalisation, then ideas for reinventing a new institutional critical practice. But central to the work has to be how to break colonial behaviour, actions and thinking, but foremost what is art able to say today, are we able to say anything?” In many respects’s the pooling together of these fragments can be seen as a path to reimagining an Enlightenment.
Biennial website http://www.bodrumbienal.org/en/2015-biennial-artists/
1. European Promise, a project by Jochen Gertz, November 2015
2. 20th June Art against austerity, as part of the protest against austerity, London, UK
3. 2015 Spatialisation of Art, PV 21st June, CNM, National Gallery of Macedonia
4. Tolerance and forbearance 2nd International Bodrum Biennial 12th September – 12th November 2015, with Mounir Fatmi, Djawid C. Borower, Triny Prada, , Elisabeth Penker, David Mabb
Full list- http://www.bodrumbienal.org/tr/2015-bienal-sanat%C3%A7%C4%B1lar%C4%B1/
5. DEPTFORD CONVERSATIONS, Curated by Janette Parris. DEPTFORD X: London’s Contemporary Art Festival . 25 th September – 4 th October
Paul Noble, Georgina Starr, Simon Patterson, Lucy Gunning, Catherine Yass, Elizabeth Wright, Bridget Smith, Neal Tait, Sarah Dobai, Jessica Voorsanger, Brian Dawn Chalkley, Alison Jones, Ruth Maclennan, Kimathi Donkor, Judith Dean, Tony Rickaby, Cullinan Richards, Jemima Stehli, Mike Stubbs, Nicola McCartney, Jane Draper, Richard Kirwan, Sadie Murdoch, Erika Winstone, Alison Gill, Mark Dean, Arnaud Desjaurdin, Cecille Emmanuelle Borra, Robert Ellis, Kaye Donachie, Edward McCool, Lolly Batty, Steven Appleby, Marion Coutts, Karin Ruggaber, Rachael House, Dawn Mellor and Jason Oddy.
6. OUR GLOBE OUR DREAM, WHAT IF? Projecting our dream for the world, our reality in the future. MARINA MORENO & ART-E-MOTION.
7.Archive of Artists’ Publishing: BookBlast. Banner repeater. Launch Whitechapel Gallery, Late September. The exact date and location in the gallery will be posted soon.
8. October Exhibition and book publication, Chelsea school of art, London, UK [Further information to follow]
9. Project with Jan-Hendrik Pelz. [Date and further info will follow shortly]
16. New text that I assisted with for Reflektor – http://reflektor-m.de/kuenstler/text/counter-cultural-curating-the-one-night-exhibitions.
17. New article – http://www.medyaege.com/dunyaca-unlu-sanatcilar-bodrumda-bulusacak/47116/
18. Exhibition in China 2016 [Info to follow]
Uros Djuric, Ines Efremova, Dijana Bogdanovska, Ilina Cholak, Pavel Pavelka, Irmak Donmez, Dilyana Stoimenova
Fitore Isufi – Koja, Maureen Bachaus, Kushtrim Zeqiri, OPA, Duygu Sezgin, Chrissie Barrows
Ana Lazarevska, Bekim Korca, Iceberg Fernandez, Jeton Muja, Maureen Bachaus, Ioana Pioaru, David Goldenberg, Brigita Antoni, Katarina Bunushevac
Celebrating 25 years of Existence of the Art colony Galichnik
In collaboration with Skopje Summer Festival (Скопско лето)
Art Colony Galicnik from the very beginning in 1990 has been following the current developments in visual arts with participation of Macedonian and above all international artists where in the ambient of the western part of Macedonia, in the Reka region, works of art are created that remain as Macedonian cultural heritage and artistic treasure. One of the characteristics of Galicnik Art Colony is that it continuously follows the current happenings in art, especially the art of new visual practices emerging in the last ten years, and is one of the few in the region and beyond where artists work in non-traditional artistic mediums i.e. they work in the so-called new media art, so it can rightly be said that this colony can carry the title multimedia art center.
The joining of the artists is well known from the period of impressionism and painting in the open – plein-air, which can be said is the precursor of the organization of the today’s art colonies. The term colony in the past (and even today in some parts of the world) is/was a gathering of people outside their territory, as a means of spreading the power of the imperialist countries… The power of the international art colonies consists of joining of artists from different parts of the world and creation of artistic and utopian state in time without political or provisional authority, governed by the ideology of creativity, where opinions, theories, work and experiences in the field of visual arts are exchanged and disseminated. Seen from a historical, geopolitical and socio-cultural aspect, Galicnik Art Colony as a projection of the authoritarian rule of the concepts and the ideas of and about art is experiencing the need for anesthetizing the world around us, which is imperative to art. The colonization of art in this regard is beneficial in our society making this art colony or workshop one of the most important socio-cultural phenomena present in Macedonia, the region and beyond.
During the last three years in Galicnik have created young artists from Macedonia (Ana Lazarevska, Dijana Bogdanovska, Ines Efremova, Ilina Cholak…), from the region; Europe and the rest of the world (Chrissie Burrows, Dilyana Stoimenova, Duygu Sezgin, Irmak Donmez, Jeton Muja, Maureen Bachaus, Pavel Pavelka, Uros Djuric etc.) in various media: conceptual photography, digital art, video, performance, comic book… where artists guided by their conceptual vocation have left works which enrich the fund and the production of works of art of the contemporary visual artistic expression in Macedonia.
The group show Dispositions in Timer and Space has now been extended until June.
BÜRO WELTAUSSTELLUNG Stiege 1 / Mezzanin
& nach Vereinbarung
“Revolution and Heresy”
“Since I will be discussing, throughout this text, the term Post Autonomy [I will use the abbreviation PA for Post Autonomy], which is probably unfamiliar to many peo- ple, I need to provide a basic genealogy and definition. At this point, all I want to say is that the term was invented in the 1970s in response to Barthes’ ”The Death of the Author” and revived in the 1990s as an alternative term for and critique of Post Modernism. Several authors inter- pret the term Post Autonomy to signal “after art”, or “the end” or “completion of Autonomy”.”
David Goldenberg, Between Revolution and Heresy, 2014
I am participating in Jochen Gertz Square of the European promise