The new Conservative revolution in Art Part 2
New text for The New Art Examiner March Edition
New text for The New Art Examiner March Edition
I decided to use the current show at The Royal Academy as a material concrete model to expand my thinking to understand “The Conservative Revolution in Art” and Neoliberalism, specifically Neoliberal institutions and Neoliberal art, through clarifying and expanding new concepts to rethink and update “PostAutonomy”, “A critique of Total
Fusion art center, Padova, Italy Show that art is not a mere tool of propaganda in the hands of power, by reclaiming this medium of expression of dissent and the fight against economic and cultural hegemony.
Exhibition Prague and London December 2023 View of exhibition in Prague Posters Website Contribution
Series of protype posters 2023-24 A collaborative project with Jonathan Lahey Dronsfield In proximity to power. Which work, methodology and strategy works under the current circumstances Text work and collage/digital prints Examining the language & concepts that frame precisely current conditions of arriving in a situation of complete defeat, without
Rupturing Colonialism. 2020-24 Introduction to collected screen captures 2013 -24 plotting the trajectory of Neoliberalism towards the formation of a new reality and subjectivity Re-conceptualisation of Post Autonomy – Critique of Total Power Cultural/Temporal Loop Installation designs in sketch up
Invitation to the first iron online event Iron online 4 Are we doomed to being Neoliberal artists and working for Neoliberal institutions or are there other routes, strategies, and possibilities? Towards a language of iron, new maps for a new territory 3 Iron online David Goldenberg Bird Saunders Rachel Wilberforce